MIXING YOUR MUSIC IN 3D
At Cavemen Records, we transform your music into a 3D journey that surrounds, surprises, and moves the listener. With Dolby Atmos and Spatial Audio, your track doesn’t just sound better — it commands attention.
Stand out on Apple Music with immersive mixes eligible for Spatial Audio playlists. Boost your streaming royalties by up to 10%, even from stereo plays. And most importantly, give your audience a sound they’ll feel in their bones.
This is where your sound steps into the future
LISTEN ON APPLE MUSIC
Ziferblat - Bird of Pray (Eurovision 2025 Single)
LATEXFAUNA - Nich
Fahot, TNMK - Hroshi (Single)
Greedin - Scoundrel's Nebula
Brykulets - Liza
Acid Mamba - nache kvitka
Greedin - Walk With Us
Ziferblat - Bird of Pray (Single)
OUR STUDIOS
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Mixing Studio 02
300 sq. feet studio equipped with
7.1.4 JBL studio monitors -
Mixing Studio 01
2,300 sq. feet studio equipped with
7.1.4 JBL cinema speaker set
RIGHT ROOM.
RIGHT EXPERTISE.
Our studio is equipped with a 7.1.4 multichannel system, featuring everything needed for professional Dolby Atmos music mixing — from the Dolby Atmos Renderer and Pro Tools, to a finely tuned acoustic environment. Every element of the room is carefully calibrated: from delay compensation and EQ profiling to precise volume leveling and the application of the Dolby Atmos Music Curve. This attention to detail ensures that your mix translates exactly as intended — across any playback system.
But gear alone doesn’t tell the whole story. As an audio post-production studio with deep roots in film, television, and commercial sound, we’ve spent years working in multichannel environments. We know how to shape sound in space — not just for technical perfection, but for emotional resonance. Our experience bridges art and engineering, ensuring your music isn’t just mixed — it’s brought fully to life in three dimensions.
BOOSTING YOUR ROYALTIES
Mixing your music in Spatial Audio isn’t just about sound — it’s about smart business. Apple Music now pays around 10% more in royalties for any track available in Spatial Audio, including plays in stereo. That means every stream counts toward the bonus, whether your listener hears it in Dolby Atmos or not. This policy applies globally, across all labels and territories, offering artists and producers a tangible return on investing in immersive formats. In today’s music economy, every percentage matters — and Spatial Audio gives your track an edge, not just creatively but financially.
But this shift isn’t only about higher payouts. It's about being part of a movement toward deeper, more engaging listening experiences. With Spatial Audio, your music gains access to exclusive Apple Music playlists, stands out in an increasingly competitive landscape, and delivers emotional depth that resonates with modern audiences. It’s a statement of craft and ambition — a way to make your music not just heard, but felt.
MAKING YOUR MUSIC STAND OUT
In a world flooded with music, standing out is everything. Mixing in Dolby Atmos instantly
sets your track apart — not everyone is doing it, and that’s exactly the point. Spatial Audio makes your music feel bolder, more dynamic, and unforgettable. It's not just a new format — it’s a new way for fans to connect with your sound. This is your chance to give listeners something fresh, immersive, and emotionally resonant — and to position yourself ahead of the curve, where the most forward-thinking artists are heading.
Even on everyday gear — Atmos-enabled headphones, soundbars, Bluetooth speakers, Apple devices — your mix hits differently. With three-dimensional space, your beats move, your vocals breathe, and your listeners are pulled inside the song. This is more than a tech upgrade. It’s your signature, amplified.
If you’re ready to be noticed, this is how you do it.
100% APPROVAL RATE
ON APPLE MUSIC
Delivering music in Spatial Audio isn’t just about creativity — it’s also about meeting
strict technical standards. Apple Music carefully reviews every Dolby Atmos release, and the requirements are far from casual. From integrated loudness and peak levels to sync precision, multitrack sourcing, ADM formatting, and more — even a small mistake can get your mix rejected. Many overlook the details: Atmos mixes derived from stereo files, improper loudness, incorrect file types, or mistimed gaps can all lead to delivery failure. Apple doesn’t just encourage best practices — it enforces them.
That’s why working with the right team matters. At Cavemen Records, we understand the technical landscape inside and out. Our years in audio post-production and multichannel workflows give us the precision and discipline needed to meet Apple’s standards every time. The result? A 100% accept rate for every Spatial Audio project we’ve delivered to Apple Music. For labels and artists, that means no rejections, no re-exports, and no delays — just confident delivery and beautiful sound, ready for the world to hear.
Music, expanded.
Vlad Kurach
on mixing music in Dolby Atmos
“Dolby Atmos is a gift — for listeners, for artists, and for labels. With Apple Music’s push for Spatial Audio, there’s really no better time to embrace it. By doing so, you grow your audience, make your tracks better, and earn more royalties.”
“When I mix in Dolby Atmos, I’m not just thinking technically. I’m thinking emotionally. Every decision has to serve the song. You can spread things wide, push elements upward, build movement — but it all has to complement the original vision. It’s a creative process, but also a careful one.”
“And you need to hear it right. That means a properly calibrated room, full-range studio monitors, and a space where delay, EQ, and level are dialed in. Too many music studios skip this, but in post-production we live by it — and I can tell you, once your room is truly calibrated for Atmos, you won’t want to mix any other way.”
“Headphones? Great for checking the binaural translation, absolutely. But the core decisions have to happen in the room. On speakers. Where the mix breathes.”
“The only real technical caveat? There’s no master bus in Atmos. No glue compression to lean on. You have to think in stems, match dynamics, and make the mix work organically. It’s like unlocking a new level of your own track — and finding the key is always different. But that’s the beauty of it.”
— Vlad Kurach
Ready to bring your project to life with the perfect mixing?